The townsfolk call on a herdsman, known for his uncanny second sight, to lead them out of their dilemma and into an uncertain future, which they face, as Herzog says, as if in a pillowy dream: they are the people history is about to forget. The glass they make, based on a secret formula, is a beautiful ruby-red and highly valued, but one day the chief craftsman dies and takes the secret with him to the grave. The heart of the village is the glass factory, where the means of production haven’t changed much since the Middle Ages. “The reasons for doing this experiment,” he says, in a behind-the-scenes book about the making of Heart of Glass, called Every Night The Trees Disappear, “were simple: the story of a village community in Bavaria that walks straight into a foreseen and foretold disaster, almost like a community of sleepwalkers, needed a specific stylization.” The film is set in the early 19th century. And one imagines the lightbulb going off over his head: if it works for chickens, why not actors? In 1976 he made Heart of Glass, a film in which most of the characters appear to be lost in trance, which they are, since Herzog himself hypnotized his actors before every scene. they frighten me more than any other animal.” This is vintage Herzog: the carnival trick as gateway to anxiety and horror. “The enormity of their stupidity,” says Herzog, of chickens, “is just overwhelming. In 1996, German Chancellor Helmut Kohl told Stern magazine that he had once hypnotized a chicken by holding its head to the ground and drawing a chalk line outward from the beak, a technique favoured by filmmaker Werner Herzog, who claims to have hypnotized chickens in at least two of his films: Signs of Life and The Enigma of Kaspar Hauser. Gibson (author of Hypnosis: Its Nature and Therapeutic Uses, 1977), is three hours and 47 minutes. The record for sustaining a hypnotic trance in a chicken, according to H. Rock the chicken back and forth and gently set it on its feet. The best way to hypnotize a chicken is to tuck its head under its own wing, thereby mimicking the posture of sleep.
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